Statement Pieces

The Bloom is an exploration of abundance at its most charged - lush, sensual, and slight volatile. Rendered as a triptych, the composition unfolds across three panels like a slow, saturated breath, each section echoing the others while holding its own emotional temperature.

The imagery is intentionally dense - Fruit, blossom, leaf, and shadow pressed close together, suspended in a dark, atmospheric ground. Color operates not just visually but physically - lush colors vibrating against a deep, nocturnal field. What reads as beauty at first glance gradually reveals tension beneath the surface.

This piece is physically activated through hand-applied pumice texture on the print itself, creating a tactile, almost geological surface. The frame - finished in deep, textured purple - extends the work beyond the image plane, transforming it into an object rather than a flat representation Light grades the surface, shifting the experience as the viewer moves.

The Bloom sits at the intersection of opulence and rawness. It is not about flower as decoration, but fertility, excess, and the moment when beauty becomes almost too much - on the edge of decay, desire, and rupture.

This is a one-of-a-kind statement work. An encounter not an illustration.

Framed 3 pieces. Each piece 24” x 36”

Acrylic and mixed media

“Elizabeth” is a meditation on sovereignty, endurance and power held in reserve. A tribute to Queen Elizabeth.

The composition is build around the ranunculus- rendered not as a romantic flourish, but as an emblem of rule. Saturated pink blooms emerge against a luminous ground enriched with real gold and silver leaf, creating a surface that shifts with light and movement. The metallic elements are not decorative accents; they function as structural light - history embedded into the work itself.

Deep plums , fuchsias and shadowed purples anchor the composition, tempering the brilliance of the gold and silver. The result is a tension between radiance and restraint, opulence and discipline. This is authority refined through time, not spectacle.

The surface reveals itself slowly. As light grazes the piece, the gold and silver leaf catch and release illumination unevenly, echoing the rhythms of ceremony, lineage and presence. The work does not seek attention - it commands it through stillness.

This is not a portrait.

It is a symbol of rule.

A statement piece grounded in material truth and quiet power.

Framed 30” x 36”

Acrylic and mixed media

The Moment Before / The Moment After

This diptych holds a suspended breath in history.

The left panel captures the moment just before - ornament, ceremony, and time still intact. Gilded flourishes curl with excess and confidence, framing pale blooms that glow with cultivated innocence. A clock rests quietly within the composition, its presence subtle but unavoidable. Time is still running.

A red ribbon threads its way through the scene- decorative, elegant, almost celebratory. At first glance it reads as adornment, a flourish among flourishes. But it is already doing its work.

The right panel is its echo.

The structure remains, but something essential has vanished. The ornamentation feels unsettled, the florals more fragile, as if newly conscious. The red ribbon persists - unchanged in color unbroken in its path - no longer decorative but ominous. What once felt ornamental now reads as inevitability. Time has passed. There is no return.

Together, the panels explore not violence, but consequence. Not the act itself, but the moment when excess meets reckoning. The ribbon becomes the connective tissue between power and collapse, luxury and loss - what binds the two moments together, even as everything else fractures.

This is not a portrait of a queen. It is a meditation on spectacle, fate, and the thin line between ornament and instrument.

History does not shout here. It moves quietly - before and after- with a single red thread running through it all.

Framed. Two pieces each 30” x 36”

Acrylic and mixed media