A painting of pink roses displayed on an easel, surrounded by lush greenery in a serene woodland setting.
A painting of pink roses adorns a living room wall, adding a touch of elegance and color to the space.
A painting of pink roses displayed on an easel, surrounded by lush greenery in a serene woodland setting.
A painting of pink roses adorns a living room wall, adding a touch of elegance and color to the space.

“Elizabeth” – 30” x 36”

$0.00

She was not made to chase the spotlight- the spotlight simply bowed when she entered the room.

“Elizabeth” is a visual ode to the power of restraint. Inspired by the layered elegance of the ranunculus flower and the enduring legacy of Queen Elizabeth. This piece honors a woman who understood that influence doesn’t always roar- it can whisper, and still be heard across centuries.

In the Victorian language of flowers, the ranunculus conveyed a single, piercing message: “I am dazzled by your charms.” But Queen Elizabeth’s presence was never just charming- it was curated, composed, and cloaked in mystery. Like the flower itself, she was made of folds. Layers. Secrets. Beauty that did not bloom all at once, but revealed itself slowly to a world that witnessed it for almost a century.

In June 1977, Queen Elizabeth appeared in a now-iconic, bubblegum-pink silk ensemble- designed by Sir Hardy Amies- for her Silver Jubilee, celebrating 25 years on the throne. That soft, yet radiant pink wasn’t just fashion- it marked a turning pint. In an era marked by uncertainty, her presence steadied a nation. Millions lined the streets; half a billion watched around the globe. The moment whispered of stability, optimism, and sovereign grace.

The woven foliage in this piece is steeped in regal symbolism. The rich royal purple, deep burgundy, and creamy rose tones are more than palette- they are pedigree. They echo the ancient roots of British monarchy, stretching from King AEthelstan- the first crowned King of all of England in the 10th century- through a lineage that has endured for over a millennium. These hues speak to legacy, not trend. To lineage that has captivated the world with its ceremony, discipline, and quiet power.

Set against a backdrop that echoes antique parchment and imperial gardens, “Elizabeth “ feels both historical and alive. Each brushstroke nods to refinement, discipline, and a quiet magnetism that refuses to fade.

This piece is not about seduction.

It is about command.

It is about the kind of grace that stands unshaken, while the world trembles.

She does not beg to be seen. But once you notice her, you cannot look away.

She was not made to chase the spotlight- the spotlight simply bowed when she entered the room.

“Elizabeth” is a visual ode to the power of restraint. Inspired by the layered elegance of the ranunculus flower and the enduring legacy of Queen Elizabeth. This piece honors a woman who understood that influence doesn’t always roar- it can whisper, and still be heard across centuries.

In the Victorian language of flowers, the ranunculus conveyed a single, piercing message: “I am dazzled by your charms.” But Queen Elizabeth’s presence was never just charming- it was curated, composed, and cloaked in mystery. Like the flower itself, she was made of folds. Layers. Secrets. Beauty that did not bloom all at once, but revealed itself slowly to a world that witnessed it for almost a century.

In June 1977, Queen Elizabeth appeared in a now-iconic, bubblegum-pink silk ensemble- designed by Sir Hardy Amies- for her Silver Jubilee, celebrating 25 years on the throne. That soft, yet radiant pink wasn’t just fashion- it marked a turning pint. In an era marked by uncertainty, her presence steadied a nation. Millions lined the streets; half a billion watched around the globe. The moment whispered of stability, optimism, and sovereign grace.

The woven foliage in this piece is steeped in regal symbolism. The rich royal purple, deep burgundy, and creamy rose tones are more than palette- they are pedigree. They echo the ancient roots of British monarchy, stretching from King AEthelstan- the first crowned King of all of England in the 10th century- through a lineage that has endured for over a millennium. These hues speak to legacy, not trend. To lineage that has captivated the world with its ceremony, discipline, and quiet power.

Set against a backdrop that echoes antique parchment and imperial gardens, “Elizabeth “ feels both historical and alive. Each brushstroke nods to refinement, discipline, and a quiet magnetism that refuses to fade.

This piece is not about seduction.

It is about command.

It is about the kind of grace that stands unshaken, while the world trembles.

She does not beg to be seen. But once you notice her, you cannot look away.

Materials

  • Giclée on Breathing Color Chroma White Canvas-archival-grade canvas

  • Printed with museum-quality pigment-base inks for archival longevity and exceptional color fidelity

  • UV- protective satin varnish to ensure lasting vibrancy and preservation

 

Presentation

This original Statement piece is created from a giclée foundation using archival pigment inks, then hand-embellished by the artist with acrylics and gel mediums for depth, texture, and dimension. It is finished with UV protectant sealers to preserve color and vibrancy. This piece is presented in our signature white contemporary frame. It is signed and sealed by R. Anthony Marchelletta

 

Lead Time

Please allow 2-3 weeks for delivery.

 

Shipping

Shipping is billed separately after purchase to ensure accurate pricing based on destination, packaging, and insured carrier rates. All pieces are professionally packed and fully insured for transit.

 

Acquisition

To reserve this piece, please contact the studio directly. You will then receive a custom invoice with secure payment options.

 

-This piece is part of the developing Radiance Collection by R. Anthony Marchelletta Studios.-

*Giclée — museum-quality work of art, created with archival pigments celebrated for their rich color, fine detail, and lasting vibrancy. Giclée are created to last over 100 years without fading. Each piece is presented on museum-quality canvas, sealed for permanence and light protection with a museum-quality protective glaze and hand-embellished. This ensures, not only longevity, but a richly textured finish that brings the artwork to life.

Pronounced (zhee-clay), the term comes from the French word gicler, meaning to spray—a nod to the refined method by which pigment meets canvas. More than process—these creations by R. Anthony Marchelletta bring a promise of permanence, beauty, and emotional resonance.